Targeting, Value Win for Performing Arts Marketing

Performing arts marketers face many challenges in competing for attention and share of wallet in a noisy multi-channel marketplace. AccuList USA recently found some good basic advice on winning audience response in a blog post by Dave Wakeman of the Wakeman Consulting Group. Wakeman noted that creating a sense of scarcity is key to performing arts marketing--even lacking a hot-demand show like the current musical "Hamilton." Nothing attracts a crowd like a crowd! Offering all tickets prior to marketing-generated demand undermines that desired sense of urgency, but marketers can still use the secondary ticket market, such as StubHub or TicketsNow, to produce a feeling of scarcity, he advises. Performing arts marketers also need to define the audience target of a show/event and then tailor a value message that appeals specifically to that audience. Targeting and creative messaging will be very different for a family show, a political commentary, a well-known classic, or a one-off by a famous author. New attendees will need a different approach than members and donors. Certainly, many shows don't have the time for the sort of traditional agency advertising that waits for reviews to come out and then creates ads around positive lines from those reviews. Plus, that kind of reactive, critic-centered promotion can miss a more persuasive value message to win over the target audience. Finally, Wakeman notes that in today’s market, people often aren’t just going to "see a show." They are likely looking to make a night of it and are attracted to events with multiple value offers. He lauds the successful audience-building efforts of the Chattanooga Symphony & Orchestra, which promotes multiple ways to engage even for those without a dedication to the symphony. Pairing a wine tasting, art show or discussion group/lecture with a performing arts event may be just what it takes to attract a new audience or convince an existing audience to try a new entertainment option. See our on-site blog post at http://www.acculistusa.com/scarcity-targeting-value-woo-performing-arts-audiences/

Many Publishers Not Fully Mining Audience Data

Business periodical marketers come to AccuList USA for help with audience building via multi-channel campaigns, but as data experts, we'd like to remind them that their audience data offers other revenue streams worth mining. Most publishers know that targeted audience data is key to competing for ad dollars; for improved subscriber response via personalization; and for better targeted content marketing. A recent Adweek article by Jason Downie suggests several other ways to monetize audience data. Downie urges publishers to build “off-the-shelf” audience segments that can be sold directly to advertisers, for example. Consider how a seminar promoter could use a business magazine's data if the publication built an audience of people interested specifically in his topics or proven seminar buyers; the advertiser would be able to enjoy the benefits of tapping not just a business-engaged audience but a strategically targeted set of potential buyers more likely to convert. Audience segments can also offer insights that can be further monetized. For example, analytics could show that seminar attendees are four times more likely to share content online. That makes them online influencers, and since influencers are extremely valuable, the publisher can demand a higher CPM. Additionally, an audience segment can open the door to new advertisers and marketers, including non-endemic spending. A business publisher's analytics may show a subscriber segment visits golf sites as well as the magazine site, for example. The publisher can now woo clients looking to target "golfers." Another way publishers can take advantage of data is in the RFP process, according to the Adweek article, noting that the average publisher spends up to 1,600 hours per month, or 18% of revenue, responding to advertiser RFPs. Publishers can develop a customized response to an advertiser RFP, starting with first-party data to build out the RFP-requested audience and then enriching that database with third-party data appending. Digital campaigns can expand targeting by adding lookalikes. Author Downie advises running a portion of an ad campaign without audience or contextual targeting to identify additional audiences, interests, actions and behaviors of those who respond well to the campaign but were not included in the initial targeting. Still another option for publishers with high-quality audience data is to sell it as "second-party data," either directly to another company through a second-party data exchange or through a programmatic data exchange. And, of course, subscriber lists can be monetized as "third-party data," earning regular rental revenue on the open market and via data brokers. For more detail, see http://www.acculistusa.com/many-business-publications-fail-to-fully-mine-audience-data/