Ticketing, Giving Trends Boost Performing Arts

Heading into 2020, performing arts marketers can take advantage of positive trends in both fundraising and ticketing sales according to recent studies. While the Giving USA 2019 report released in June showed declines for many charitable-giving sectors from 2016 to 2018, arts fundraising stood out by remaining relatively flat. Adjusted for inflation, giving to arts, culture, and humanities increased 11.1% between 2016 and 2017, declined 2.1% between 2017 and 2018 (though a 0.3% increase in current dollars) and ended up with a cumulative increase of 8.7% between 2016 and 2018, thanks to 2017 donations that reached the highest inflation-adjusted amount for the sector on record. Underneath the numbers are three important lessons for our performing arts clients, as fundraising counsel Alexander Haas points out in a recent post. First, a focus on high net-worth individuals via upper-level membership programs, project-related major gifts, and targeted marketing campaigns is likely to pay off, as proven by 2018’s 2.6% increase in gifts of $1,000 or more, and the fact that, of the 90% of high-net worth households giving, a quarter focused on arts donations. Second, targeted campaigns and quality donor lists are essential as fewer individuals give and a greater percentage of philanthropic revenue comes through larger gifts. Finally, online giving can be a boon to performing arts; for example, the Blackbaud Institute’s 2018 Charitable Giving Report showed that online gifts represented 9.5% of overall giving to arts organizations in 2018, and the 5.8% growth in online giving to the arts outpaced other nonprofit sectors by four times. Making online giving a convenient option for donors and members is one way to offset the decline in smaller gifts. Meanwhile, an October Reportlinker market research report forecasts a 5% compound annual growth in ticket sales from sporting events, movies, concerts, and performing arts events in the 2020-2024 period. While sporting event and concert popularity is a key driver of growth, the research also credits a number of innovative marketing strategies for pushing ticket revenue, such as flash sales, early-bird offers, access codes, public discounts and adoption of mobile applications to make tickets more readily available to consumers. For more, see our onsite blog post at https://www.acculist.com/ticketing-and-giving-trends-are-positives-for-performing-arts/

Arts Fundraising Study: Invest to Reap More

Any of AccuList’s performing arts marketing and museum/zoo marketing clients that fret over investing in fundraising efforts in 2019 should take a look at the recently released "DataArts Fundraising Report" from Southern Methodist University. Basically, the report concludes, arts and cultural organizations that make smart investments in fundraising reap more dollars, with individual donors a “vital source” of contributions. Looking at fundraising by 2,421 organizations across 11 different arts and cultural sectors between 2014 and 2017, the study found good news for many marketers even though the overall ROI on every dollar spent on fundraising declined from $8.80 in 2014 to $8.56 in 2017. This reflected issues in select sectors. Seven sectors—including performing arts companies, orchestras and operas—actually saw an increase in return on fundraising over the period. The biggest ROI gain, adjusting for inflation, was a 28.8% bump for community-based organizations. But gaining sectors were offset by ROI declines for art museums, dance companies and theaters. Another encouraging sign was an increase in the average individual donor contribution over the four-year period. For arts and cultural fundraising, size matters, but in an inverse fashion, the report found. Small- and medium-sized organizations increased the returns on their investments in fundraising over the four years, while larger organizations had steadily declining ROI. Individual donors are important for success, per the report, especially outside of the big metro areas where government support, foundations and corporate donors help foot expenses. But locations vary widely in terms of revenue successfully tapped. For example, New York organizations had the highest average number of corporate donors at 12 and also had the highest percentage of expenses covered by government support (9%). On the other hand, Chicago reaped the most from foundations, with 7% of expenses picked up by foundation support. For more report detail, go to https://www.acculistusa.com/arts-fundraising-study-invest-to-reap-more/

Targeting, Value Win for Performing Arts Marketing

Performing arts marketers face many challenges in competing for attention and share of wallet in a noisy multi-channel marketplace. AccuList USA recently found some good basic advice on winning audience response in a blog post by Dave Wakeman of the Wakeman Consulting Group. Wakeman noted that creating a sense of scarcity is key to performing arts marketing--even lacking a hot-demand show like the current musical "Hamilton." Nothing attracts a crowd like a crowd! Offering all tickets prior to marketing-generated demand undermines that desired sense of urgency, but marketers can still use the secondary ticket market, such as StubHub or TicketsNow, to produce a feeling of scarcity, he advises. Performing arts marketers also need to define the audience target of a show/event and then tailor a value message that appeals specifically to that audience. Targeting and creative messaging will be very different for a family show, a political commentary, a well-known classic, or a one-off by a famous author. New attendees will need a different approach than members and donors. Certainly, many shows don't have the time for the sort of traditional agency advertising that waits for reviews to come out and then creates ads around positive lines from those reviews. Plus, that kind of reactive, critic-centered promotion can miss a more persuasive value message to win over the target audience. Finally, Wakeman notes that in today’s market, people often aren’t just going to "see a show." They are likely looking to make a night of it and are attracted to events with multiple value offers. He lauds the successful audience-building efforts of the Chattanooga Symphony & Orchestra, which promotes multiple ways to engage even for those without a dedication to the symphony. Pairing a wine tasting, art show or discussion group/lecture with a performing arts event may be just what it takes to attract a new audience or convince an existing audience to try a new entertainment option. See our on-site blog post at http://www.acculistusa.com/scarcity-targeting-value-woo-performing-arts-audiences/

Performing Arts Win in Social Video Ticketing Growth

Performing arts marketers have more tools this year for reaching ticket buyers, fans and supporters via partnerships that link online ticketing and social media videos. The latest entry in the competitive social media ticketing race is Google-owned YouTube, which has partnered with Ticketmaster to show viewers upcoming U.S. tour dates and nearby concert listings on artists' YouTube videos and then allow viewers to jump directly to Ticketmaster to purchase tickets. YouTube is actually a latecomer to the social media ticketing world. Ticketmaster started promoting ticket sales on Spotify and Facebook in 2016. YouTube's end-of-2017 move is one reaction to Spotify's growth in the streaming market with integrated data and artist information. For Ticketmaster, its global roster of concerts and lock on the concert-ticket industry can only be enhanced by access to YouTube's 1.5 billion user base, driving more fans to pay Ticketmaster prices and service charges. But competitive social video ticketing is a win for performing arts promotion, too. YouTube is leveraging one of its strengths with the ticketing partnership; music videos account for 30% of all time spent on YouTube and represent 94% of the 250 most-viewed videos on the platform, per the Video Advertising Bureau. And that means performing arts promotions can look forward to generating additional ticket sales from the platform's added feature. The YouTube ticketing feature also addresses a running feud between YouTube and the recording industry. Some record labels have argued that YouTube hasn't paid enough in fees for music videos hosted on its platform, but now ticket sales will provide another revenue stream for labels to monetize and boost royalties. This kind of partnership may even help cut the sales drain from pirating since the increased ability to monetize videos via ticket sales is likely to push performing arts promotion to drive as much traffic as possible to official videos and be more proactive in flagging unofficial channels. See our website post: http://www.acculistusa.com/performing-arts-boosted-by-social-video-ticketing-partnerships/

Millennials Reshape Event Success Strategies

As the millennial cohort expands event attendance, trade show and conference marketers and performing arts marketers are beginning to change their targeting, messaging and event planning strategies to cater to a demographic that demands technological multi-channel savvy, interest-specific targeting and experiential interactivity. A recent post by UK-based Conference News highlights strategies that event professionals can adopt to woo the millennial audience. While millennials are known for their social media, mobile-phone-addicted personae, studies show that these digital preferences can actually fuel greater live event interest; Conference News cites one survey showing 73% of millennials consider live event attendance as a way to express their beliefs and personality online. But it also means that event planners need to take cues from their digital experiences. Since millennials flock to online platforms that offer a nexus of various interests and connectivity, an event that focuses too narrowly can misfire. Conference News argues for a "multi-faceted event" and cites North Carolina's Moogfest as an example. Moogfest is primarily a music festival, but, in 2016, it added a stage for workshops, installations and discussions of the current political climate. By combining art, activism, food/drink, and activities in one place, it addressed attendees' multiple passions and created more social media fodder and buzz at the same time. Meeting the millennial demand for a multi-faceted event experience can also require going beyond hotel conference rooms and exhibit spaces. In 2017, the demand for non-traditional spaces rose by 3.8%, notes the article. Millennials are technically savvy and expect technically savvy event support. The Conference News article cites three event technology ideas likely to gain ground this year: 1) RFID (radio-frequency identification) wristbands can speed up entry lines and allow purchases without cash or cards; 2) Mobile Event Apps can let attendees craft customized experiences via eased navigation, personalized schedules, push notifications about upcoming activities, and social sharing with other attendees; and 3) Artificial Intelligence (AI) can use chat bots to answer attendee questions and, in coordination with social-media-based event app info, generate personalized on-site recommendations. See the full post at http://www.acculistusa.com/millennial-attendees-reshape-event-success-strategies/

How Performing Arts Marketers Find Best Targets

Since AccuList USA has successfully worked with performing arts and cultural organizations in audience development, supplying data and data services to help them acquire new patrons, ticket buyers and supporters, we were happy to see a recent npENGAGE.com post underscoring the key role of quality data targeting in performing arts marketing success. Basically, performing arts marketers must acquire prospects with the potential to become long-term, high-value patrons; retain them; and maximize their dollar contributions. That challenge is not easy when studies show 72% of single-ticket buyers do not return, points out npENGAGE article author Chuck Turner, a senior analytics specialist at the Target Analytics agency for arts and cultural clients. So a cost-effective marketing strategy will rely on data analytics both to target those with the highest relationship potential and to personalize messaging and offers for boosted ROI and loyalty. For revenue generation, analysis should look at the value of patrons in terms of the average of all revenue earned, including things such as gift shop and concession sales and tuition for classes offered, as well as ticket sales and subscriptions, Turner urges. That means targeting likely high-revenue prospects, plus targeting the right members of the audience pool for offers of add-ons and upgrades. For both groups, Turner suggests selecting those with higher average income, and thus higher capacity to spend. When it comes to increasing donations, external list data on both discretionary spending ability and nonprofit donation history can be used to target significant nonprofit donor prospects for acquisition, and that data can be appended to the existing audience database to better target for add-ons and upgrades. Turner points to Target Analytics findings that, on average, up to 40% of nonprofit audiences can be top prospects for significant contributory giving--if you communicate to prospects with a message that resonates with their mission-based interest. With limited resources, performing arts marketers need to be more strategic and proactive in focusing on the most valuable segments. This means tracking lifetime value, defined as the net profit attributed to the entire future relationship discounted to its current value. Again, quality data can help target the right people--those with high lifetime value--with the right message. For both audience database and prospecting mailing lists, Turner stresses selecting targets based on charitable giving and income/discretionary spending ability. Conversely, knowing those unlikely to donate or spend helps minimize investment in unprofitable segments. For more, see http://www.acculistusa.com/how-can-performing-arts-marketing-find-the-best-targets/